Thursday, December 01, 2011

Rag Quilt Tutorial part 2

After leaving the dyed fabric to batch overnight, it's time to rinse the excess dye.  Use cold water for this, and rinse till most of the dye is gone.  You will need your gloves on for this.


 Squeeze excess water from the fabric, and place each colour separately.
 Wash at the hottest temperature your machine can do  - mine is 90 degrees C - you can wash colours together.  However, if you have yellows or any very pale colours, they are best washed separately.
 Here's the Blue-Violet fabric, and below is the Grape.
 I didn't really massage the dye properly into the green fabrics - the more you manipulate the fabric in the dye, the more even the result.  While I prefer a mottled look, these could have been done better.
 This is the nightie dyed with Jade.
 When they're all dry, here's what I have to work with.
 I've decided my quilt will be made from 48 8 inch squares - 6 squares across and 8 squares down.  I take the Jade fabric, which I want to have on the top, and tear it into 8" strips.

 Snip the edge with the scissors and tear.  Don't worry about removing loose threads.  Some fabric pieces are too small so I put those aside for another project.


 Do the same thing with the other fabrics.  I will need 144 squares in total, as I will have 3 layers.  I've decided that the top will be jade, green and blue-violet, all the centre squares will ben grape, and the back will be purple and green.


 Select 3 squares, and place them on top of one another.
Set up your sewing machine with one colour on the top and another in the bobbin.  I have a brown thread on top and blue underneath - that way, I can easily tell the fronts from the backs.  Stitch the first set of squares diagonally from one corner to the opposite corner.
 When you reach the other corner, don't cut your thread - do a few stitches, then bring your second set of squares into place and repeat.  This is called "chain piecing".   Repeat until you have 48 squares.
 Then do the same thing again on the opposite sides so that you end up with a cross (above) on each set of squares.  You will see that I have  made no attempt to have my sewing lines perfectly straight - this is a rag quilt, after all.

 Here are all my 48 squares, sewn with a cross, and sorted into piles depending on the colour of the top square.


Take a coffee break at this point - you're doing well!

Sunday, November 20, 2011

How to make a rag quilt from recycled flannel/flannelette sheets & nightwear - part 1

We live in a consumer society, always being urged to buy new things.  I'm trying to move towards a simpler lifestyle by recycling things.  I don't mean that I rummage through skips and dumpsters to find food and so on - there are many things that are given to hospice or op shops (a.k.a. thrift shops) that can have a new lease of life in some other way.

If you're a regular reader of my blog, you will have seen the Traveller's Blanket that I've been making.  I loved the soft, warm flannel this is made of, so I decided I would make some rag quilts from old sheets and nightwear.  In New Zealand, these are made from flannelette (very similar to flannel).

This tutorial is written for anyone who is thinking the same was as I am.  NO special equipment is needed - you need access to a sewing machine, however, and basic sewing skills.  That's all.  We're going to overdye the fabrics with colours of our choice, and this first part of the tutorial will show you how to do this.  You can buy fabric dye (Procion is the best type) from some craft shops or buy online from Tillia Dyes (www.tillia.co.nz).  You will also need soda ash, which is the dye fixative.

I bought some (mainly odd) sheets and some nightwear from op shops.  ("op" stands for opportunity, if you're not a Kiwi).  The most I paid for anything was $8 for a pair of double sheets with pillowcases.  I bought plenty -  this is enough for a number of quilts.
Don't use any fabric that's very thin or worn out, as it won't last.  If you have sheets with holes in them, make sure you're using the better fabric nearer the edges.  If you're buying nightwear, go for big sizes that give you more fabric for your dollars.  Look for patterns and colours that have light or medium backgrounds - you won't be able to overdye a really dark fabric.

Mostly, the goods you buy will have been washed - we're going to wash the fabric in very hot water after dyeing so don't worry too much about washing everything first.   For the first quilt, which is for me, I am using the nightie at the front, the blue sheet on the right, and the pillowcases from the floral sheet set on the left.  I've cut one of the floral sheets in half to use as the middle layer instead of batting. First, I tore all the seams off to give me fabric pieces or strips.  Don't worry about the size of these at this stage.
Sometimes, the fabric will tear into strips by itself as you rip it.  That's ok, unless they're very narrow in which case, discard these.  You'll also find that not all the seams on sheets are on the straight grain.  You can discard the seams, plackets, cuffs etc that you've torn off.

Now for the fun part!  If you've never used dyes before, follow this process:

1. Clear the bench.  You don't want any plates, cutlery or food around where you're working.

2. Cover the whole bench with a good layer of newspaper.  I have a good mixing jar (on left) that has 100ml gradations and a tight-fitting lid, ideal for mixing dye in; some disposable cups, disposable gloves, a measuring spoon and a range of green and purple dyes.

3. Mix the soda ash (3/4 cup to 3 litres of hot water) in a bucket.  Unused mixture will keep if sealed in an ice-cream container or similar. Keep this mixture away from children and animals.  Use something to stir this with that is NOT used eating.

4. Grab some LARGE Snaplock or Ziploc bags.  I recommend these over ordinary plastic bags for 2 reasons - firstly, they're good quality and don't usually leak and secondly, it's a big help to be able to seal the tops.  You're going to use these to put the dye and fabric in, and believe me, you don't want the bags falling over and spilling.

5. Mix the first dye as per the instructions - usually, 1 teaspoon to 100 mls of hot or warm water for a dark colour.  Hot water mixes more easily.  Shake to mix or stir well.  As a guide, I'm using about 300mls of dye for each of my bags - that's just over a cupful, and is plenty for this amount of fabric.

Wet the first fabric that you're dyeing - this is the nightie I'm using here - and again, hot water is best as it penetrates the fabric more easily and ensures that it's wet through.  Yes, you can dye dry fabric but it doesn't work as well.  Pour the dye into the first bag, and have the wet (but squeezed) fabric handy.

6. Open the wet fabric out to put it in the bag with the dye.  If it goes in in a ball, the dye will have trouble getting through all the layers.

7. Squadge (that's a technical term - just kidding! it's the noise the dye and fabric makes as you squeeze it) the fabric around in the dye.  You can do this from the outside of the bag, or stick your (gloved) hands right in these so that the dye gets into the fabric evenly.

8.  This is Jade Green.  Don't get too excited over the colour yet - it lightens up when you add the soda ash, and dyed fabric is ALWAYS darker when wet.  How much soda ash to add?  Around the same amount as the dye, so about 250-300mls (a cupful).   Squeeze this through the fabric too.  You only need to squeeze it enough to ensure it's mixed thoroughly - no need to give the bags a full body massage.

9.  The floral pillowcases are Blue-Violet, and the sheet is being dyed in other greens (Brightest Green and Emerald Green).  Same process as before.  As you finish with each colour, seal the tops of the bags and set aside.



See why we need all that newspaper?


10.  I'm using half a double sheet for the centre layer, and this is too big to fit in a bag.  I have some of these plastic bins that I bought from The Warehouse for $6 each, so I'm using one of these for this large piece.  This time, I need 500 mls (2 cups) of dye liquid, and the same of soda ash.


11.  This is how it looks.  The colour is Grape with some Blu-Violet added to link it in with the pillowcase pieces which will be on the back and front of the quilt.  You are going to see this layer, which is why I'm dyeing it.  Unlike a conventional quilt where the batting is hidden inbetween the layers, it's visible in this one. How?  You'll see in Part 2, when we come to put the layers together and start sewing the quilt.

12.  I'm using another of these bins to hold the bags of dyed fabric.  It's best to leave these overnight or for 6 to 8 hours at least to get the best depth of colour, so put them somewhere that small children and animals won't knock them over or get into them.  Tomorrow, I'll rinse the fabric out and give it a hot wash.






Tuesday, November 08, 2011

Nearly the end of year 1

This is the penultimate week of my first year of my Arts degree.  Hard to believe that the year has gone so quickly.  My focus at present is just to get all my assignments up to standard and submitted.  One of my papers is Photography, so here are  a few shots that I've taken this term :
 This is Cressy, and I submitted this photo for the "Blur" assignment (9/10)
 This photo of classmate Ben was submitted for "Colour Portrait" (9/10)...

...and this one of classmate Emma was for "B&W Portrait" (8.5/10)



 This is my latest photo, a black and white landscape.  No mark yet.  I took this at around 7.30am on Saturday, inbetween the hail and sleet showers.

Monday, October 24, 2011

800 and still going!



There's been a bit going on since my last post - I've moved house, for one thing.  Here's some photos of the new house.

 My room, which gets the morning sun. Several of the rooms have pretty plaster ceilings.
 The dining room which leads into the kitchen on the left.
A bit of the lounge, which faces the street.

 The little patio area out the back.
 And here are the twins..just being themselves.


Monday, October 10, 2011

#799

Yes, indeedy, this is post number 799.

Much is going on behind the scenes.  It's the last term of year, and Photography 2 is in full swing.  There's always a lot to do in Photography class, and in this one, I'm learning manual controls which I've never used before.  There's another Art History essay due at the end of the month, and a set of drawings of people at work also need to be done.  In addition, I move house this Friday, with the help of my lovely friends from class.  And despite last week's extraction of a wisdom tooth, I'm still suffering wall-to-wall toothache, so it's back to the dentist as soon as possible.  Of course, I would have preferred to move house in the  holidays but once my old house was sold, I just wanted to get into a place of my own as soon as I could.  Watch for photos.

 This is rare Auckland Island piggy...
 ..and I'm not sure exactly what sort this is.  They are in the animal section in Queen's Park.
 The lovely native kowhai tree in flower (sophora tetraptera for the botanists).
 Falling water photographed at slow speed - part of my class project.
 The Twins pretending to be a sheepskin rug.
 The fountain taken at an unusual speed.
 Some of the lovely flowers in the Winter Gardens.
And lastly, our native kakabeak (clianthus puniceus), found only in New Zealand.

Tuesday, October 04, 2011

Blank pages

Yes, I've been suffering from the dreaded Blank Pages Syndrome, and have not managed to work up the enthusiasm (or even had a topic) for a blog post for several weeks.  I've had quite a bit of fatigue lately which has hampered me from achieving anything much as well as mysteriously wasting a lot of time.  Anyone who has depression, ME or similar health issues will know what I'm talking about.

As a result, I'm trying to kickstart my creativity, which is currently hiding.  I've joined The Sketchbook Challenge, which you can find more about here. It's free and it looks like fun.  In the meantime, here's a few photos from Queen's Park.




Tuesday, September 13, 2011

Behind the scenes

You may be forgiven for thinking that I'm not doing anything creative.  I am, but I just haven't been showing it.  I actually have a couple of pieces of partly completed knitting (a top-down cardigan and a curved scarf) but neither look very good partially made so I'm waiting till they're finished to photograph them.  The cardigan in particular, being knitted all in one piece, just looks like a huge pile of nothing in particular.  At present, I'm working on these:

The red one is quite hard to show - it has a diamond pattern done in purl stitches.  These are both made in fine merino and are destined for my mother.  I made her some for Mothers' Day and she wears them a lot as she has arthritis in her hands, so I decided I would make her some more.

When I'm not knitting, I'm doing more on the Travellers' Blanket.


One thing that all my work is featuring - bits of poodle hair.  While poodles don't shed like most dogs, they DO lose fine wispy bits when their coats are very long.  Not for much longer, as they're booked in to be pruned next week.  I hope the worst of the bad weather is over, as they're going to take some adjusting.